Sunday, July 29, 2007

NEGETIVE INFLUENCES OF MASS MEDIA

How do parents increase their influence over the negative effects of mass media, the internet and the rest of the outside world?

The increasingly competitive economy is creating an environment where parents are forced to spend longer hours at work and fewer hours with their children. As a result, outside influences have greater access and influence over our children then ever before. The internet and the media are bringing the outside world into your home; your child's peers; the influences on children from movies and the music they listen to are growing in importance and influence everyday, the negative effects of television violence to children, negative effects marijuana, cigarettes, alcohol and some of the heavier drugs are all having negative influences on child brain development. If you are like most parents, you cannot afford to decrease the amount of time at work to monitor their exposure. Therefore, the quality of time you spend with your child is critical to maximize your influence over the negative effects of the outside world.

What are the steps you can take to learn how to increase your influence over the negative effects of mass media, the internet and the rest of the outside world?

Some of the same outside influences that can serve to harm your child can be used to help your child. Get on the internet or stop by the book store to educate yourself about parenting. Learn the tools necessary to raise a happy, responsible and productive child in a loving, safe and nurturing environment. Other parents are a terrific source of support and ideas to help increase your influence over the negative effects of the outside world. Contact a psychotherapist in your area who offers support groups, parenting classes and seminars. Be sure they are teaching useful parenting information. Some topics to look for are Discipline vs. Punishment, Active Communication, Reflective Listening and “I” Statements.

THE EFFECTS OF MASS MEDIA

The Effects of Mass Media
History and Theory of New Media


How much we are realizing about the effects of mass media today? I do not think that we are realizing much, I mean we know some points but we are just ignore that because it has already been part of our life. You can often see a world where media can control and alter human life.

I would like to propose several ways to approach about mass media today using by the case of the commercialization, animations, and media cultures. Animations, television, and computers are facts of life for today's people, especially children. "The effect of TV, as the most recent and spectacular electric ex! tension of our central nervous system, is hard to grasp for various reasons. Since it has affected the totality of our lives, personal and social and political占� (McLuhan, 317). One reason children are so vulnerable to the messages of television is that they take what they see on television to be reality. Very young children equate all of television with reality.

The first approach about the media cultures today, I will show a case that the young child has been influenced by the mass media which they took advantage of him. Naturally, as children get older they adopt new definitions of television reality; however, I was so surprised that how much the mass media can change their viewpoint in such an early age. The MBC Korean broadcasting television decided to start a program that a famous pop group (called Groove Over Dose- G.O.D.) of five male singers will babysat a nine-month-old baby until the baby (name Jaemin Han) become two years old. The parents of the baby are both working, so the G.O.D. will babysat the baby three days a week. The TV episode (called "The Babydiary") was start on March 5, 2000 and the program shows on every week to show a whole week's diary. They live in a boarding house, so the baby can live with them three days per week. The each group member shares five different parts, which are the father, mother, cook, recreation and fashion coordinator. The group member's ages are from 18 to 27 years old. The oldest member is a father and his role is to take the responsibility for everything. The mother's role is put the baby to sleep and have to take care the baby even though he awakes ! from sleep in the middle of the night. The cook has to figure out how to make the baby food, how many times he has to feed the milk a day and how warm the milk should be, etc. The recreation person's role should entertain him especially when he starts to cry and grumble. At the last but not the least the fashion coordinator's role is not only make him look pretty but also practical. Everything is so new to them too, so it has been took a while to adjust each person's role for couple months.

There are several important things to point out from these whole baby diary issues. First, this group was not so popular until they start doing this babysitting; also they had a limited audience which is a young age group. However, after they start doing this program, their fan age group is getting broader to older age. "The G.O.D. = The group who raise a baby Jaemin- They be come popular to female age 20s and 30s.占�(Sports Chosun Nov 17, 2000) Why? I think the answer for that is really simple because the program stimulates the audience's sensibility, which is their maternity. Nowadays, people do not stimulate to some degree because they are already familiar for exposing too much from all kinds of media. However, if people stimulate from the most basic sensibility, they will stimulate and respond by that. "G.O.D.- The rainbow connection between the parent generation and children generation (Sports Seoul No! v 21, 2000).占� The article is about the point of excellence for this episode, which brakes the extinction of wall between the parent generation and children generation. Nowadays, the wall between those two generations were built with poverty and rich, spirit and material, letter and cell phone, radio and TV, etc. Both live in same period and space, at the same time they carry on different styles and visual angles of their life. However, the dance group G.O.D. connects a bridge between these two generation. These two generation watch their episode and talk about it together, also they listen their music together too. Therefore, the Jaemin become their mediator who connects the analog and digital generation.

The effects of mass media has pros and cons, this is the only good point of this whole Babydiary issue. As a result of the MBC's good marketing plan, they became the most popular group in Korea right now. Second, these media have effected the baby so quickly. For instance, the baby already has judge skills for the beauty values. What I mean by that is, he keeps avoiding the bad looking guy of the members. That means he already exposed from media so his value of the beauty is same as the media represent. The mass media has an influence, which is unavoidable, so the beauty standard of his viewpoint is really same as the media represents such as the movies, televisions, advertising and commercials are m! ostly using a super model to represents product. The media divided a certain people to certain level such as nice and ugly looking of man and woman. The television does influence children's view of social reality. One effect it can have is to encourage stereotyped opinions about social topics such as beauty value. Television generally presents highly stereotyped commercials are outstanding culprits in the presentation of beauty stereotypes. This seems to be the effect of television being a visual medium, even without any effect to see physical beauty.

The media give the value system what's good and bad, what's pretty and ugly, the media itself influenced that much in non only that young age children but also grown up. Therefore, how we visually show to people is really important role as a media designer. Another example of the baby is that only an 18 months old baby operates an audio all by himself. Also, he picks and choose the song he wants to listen. I could not believe that because I have never thought it is possible to that young age also, when I was young, I have not had that kind of experiences before. The scariest thing is that the baby always listens their (G.O.D) songs, so he did not have chances to listen a children's song. Even though they tried to play the children's song, but the baby was just stand there without any moves what so ever. However, he starts to! dance when he hears their music, which is Hip-hop and R&B (Rhythm and Blues). In other words, other ordinary kids who listen children's song regularly, they will not have a same feeling like the Jamin does. That means, he already has had effects by their music. Another example is that Jaemin knows exactly how he has to show in the camera. He exposed by camera 24 hours per three days a week, so he is already been familiar with it. Therefore, after he doing something that he thinks its funny or bad things to do, he stares the camera. How much the person is being exposed by media hinge on the person's life.

"G.O.D. The Babydiary Jaemin Han had received appreciation award from MBC" (Dong-A, Nov 25, 2000). The reason for that award is that this program was the first ranking TV episode since they start it. He was the youngest winner for that award; however, the parents were refused to get that awards also there were so many commercial proposals too. They just did not want to make the baby special because of the TV program (the media). Also, they did not want to fall into the materialism from all the money temptation when he starts to doing the commercials. I think the decision, which the parents made, was the right way for Jamin's future. As a Korean proverb says, the habit from three years old goes to 6o years old which means the habit and memories from young age will effects their rest of life. Therefore, a process of the person's growth will be under the control of their education. Children tend to learn what they see on television more thoroughly than what they read or hear on radio. This power means that the responsibility of television producers is much greater, the need for quality more pressing than with the older media.

The second approach about the commercialization today, I will explain using the case of animations (especially Japanese animations). The animation is a worldwide these days and has a huge impact on animation industry, not only they make animations but also they make animation movies, video games, cards, and toys, etc. For instance, the Pokemon animation made movies, video games, toys, and cards. That means everyone see the same movie, play the same game, talk about same thing worldwide. I heard that one child got killed by his friend during they had fight for the Pokemon cards. Why I felt terrible when I heard that news because of the piece of card; one child got killed from his friend. Whose fault is it? What if the media did not expose that much of the Pokemon issues to innocent young children? I read one article from newspaper a year ago, the article was about Japanese exports their animation movies to other country especially United States with really cheap price. The Japanese's strateg! ic for the cosmopolitanism is doing cultural export by cheap animation movies. Think about it, on Saturday morning, almost every child sits front of television with milk and chocolate cookies watching the Japanese cartoons, so they get used to Japanese animation and culture. Nowadays 50-60% is the Japanese cartoon in major television network, which is really scary part. They watch these Japanese cartoons through their childhood, which leads not to have any negative feelings for other country's cultures. The Japanese people's intention was to aim that. Of course there are other things that the American children do not want to watch the American cartoons anymore. One reason is that they are tired of watching the super hero series or Tom and Jerry's which is rewarding the good and punishing the evil over and over again. It has been changed from that approach of cartoon to the viewer is in charge of the character which is the way of the Pokemon trained other creatures. The opposition between the styles of American cartoons and Japanese cartoon defined the interactions between viewer and characters. I think that the animator should figure it out how to meet the needs of the times instead of import other country's animation (cultures) without filtration. They have to think about it more carefully for the future generations.

Thirty-six years ago Marshall McLuhan advanced the revoluti! onary thesis that "the medium is the message". His idea was that each medium of communication produces social and psychological effects on its audience, particular social relations and particular form of consciousness or way of thinking, that are quite independent of the content being transmitted. These effects constitute the message of the medium. McLuhan's famous phrase is widely quoted even if not widely understood. However, his phrase is the most important theory in media history. "The only way we are ever going to take control of the technology and make them serve the desire of a broad mass of people for a better life is if we can really start to get at the questions. What's it for? What kind of life we want to have? (Lunenfeld, 206-7)." "My opinion is that the damaging effects the electronic media can have on children are not intrinsic to the media but grow out the ways the media are used much of the content of commercial TV shows may have a negative effect on children's social attitudes. Commercials themselves use sophisticated techniques to manipulate viewers into wanting certain products, and young children have no defense against such techniques (Greenfield, 2-3).占� Television watching can become a passive, deadening activity if adults do not guide their children's viewing and each children to watch critically and to learn from what they watch.

In conclusion, the media can be used to promote social growth and thinking skills. Television and the newer electronic media, is used wisely, have great positive potential for learning and development. If they give children visually different mental skills from those developed by reading and writing. Television is a better medium than the printed word for conveying certain types of information, and it makes learning available to group of children who do not do well in traditional school situations and even to people who cannot read. At this point, how the designer should function in this digital era? There are many ways to designer can achieve for their goal which are just function as a information delivery, pursuit aesthetics, money, or another ways? I will say based on my opinion, yes there is something else than, money, aesthetic, and information, which are creativity keep pace with the rapid digital era. Past century hold dominion over the rational, this century that we called the era of chaos. The graphic design in the past with all the visual, we called visual design. However, nowadays it has been changed since we have to deal with lots of media whom we have to communicate, we called interactive design. Therefore, the information from we have seen and hear only using your eye, but we have to indicate the information using by your ear,! so we need to interchange between educator, writer, designer, engineer, sociologist, and physiologist. We have to expand our senses with the voice in the screen. Therefore, the design is focused on human itself other than lots of unnecessary things for the society. The winner for that era will be the person who has flexible thinking power. Also, the designer must have a their true character. Follow the path of virtue with right-minded should be their goal. In addition to, the designer should have to find their life's passion, develop themselves-esteem, and create self- appreciation which lead to more positive self-esteem. With all that in mind the designer have a powerful persuasion.

Friday, July 27, 2007

TAJ MAHAL

THE MAGNIFICIENT TAJ MAHAL
The Taj Mahal (Devanagari: ��������������������������� ���������������������������, Nastaliq: ������������������ ������������������) is a mausoleum located in Agra, India. The Mughal Emperor Shah Jahan commissioned it as a mausoleum for his favorite wife, Mumtaz Mahal. Construction began in 1632 and was completed in approximately 1648. Some dispute surrounds the question of who designed the Taj Mahal; it is clear a team of designers and craftsmen were responsible for the design, with Ustad Ahmad Lahauri considered the most likely candidate as the principal designer.[1]

The Taj Mahal (sometimes called "the Taj") is generally considered the finest example of Mughal architecture, a style that combines elements of Persian, Turkish, Indian, and Islamic architectural styles. While the white domed marble mausoleum is the most familiar part of the monument, the Taj Mahal is actually an integrated complex of structures. In 1983 the Taj became a UNESCO World Heritage Site and was cited as "the jewel of Muslim art in India and one of the universally admired masterpieces of the world's heritage."
Origin and inspiration
In 1631 Shah Jahan, emperor during the Mughal's period of greatest prosperity, was griefstricken when his second wife, Mumtaz Mahal, died during the birth of their daughter Gauhara Begum, their fourteenth child.



Contemporary court chronicles concerning Shah Jahan's grief form the basis of the love story traditionally held as the inspiration for the Taj Mahal.
Construction of the Taj Mahal was begun soon after Mumtaz's death. The principal mausoleum was completed in 1648, and the surrounding buildings and garden were finished five years later. Visiting Agra in 1663, the French traveller Fran������ois Bernier wrote the following:
I shall finish this letter with a description of the two wonderful mausoleums which constitute the chief superiority of Agra over Delhi. One was erected by Jehan-guyre [sic] in honor of his father Ekbar; and Chah-Jehan raised the other to the memory of his wife Tage Mehale, that extraordinary and celebrated beauty, of whom her husband was so enamoured it is said that he was constant to her during life, and at her death was so affected as nearly to follow her to the grave.

Influences

The Tomb of Humayun, constructed in 1560, shares substantially the same pattern as the Taj Mahal
The Taj Mahal incorporates and expands on many design traditions, particularly Persian and earlier Mughal architecture. Specific inspiration came from a number of successful Timurid and Mughal buildings. These include the Gur-e Amir (the tomb of Timur, progenitor of the Mughal dynasty, in Samarkand),[7] Humayun's Tomb, Itmad-Ud-Daulah's Tomb (sometimes called the Baby Taj), and Shah Jahan's own Jama Masjid in Delhi. Under his patronage, Mughal building reached new levels of refinement.[8] While previous Mughal building had primarily been constructed of red sandstone, Shah Jahan promoted the use of white marble inlaid with semi-precious stones.

The garden
The complex is set in and around a large charbagh (a formal Mughal garden divided into four parts). Measuring 300 meters ������ 300 meters, the garden uses raised pathways which divide each quarter of the garden into 16 sunken parterres or flowerbeds. A raised marble water tank at the center of the garden, halfway between the tomb and the gateway, and a linear reflecting pool on the North-South axis reflect the Taj Mahal. Elsewhere the garden is laid out with avenues of trees and fountains[9].
The charbagh garden is meant to symbolize the four flowing Rivers of Paradise. The raised marble water tank is called al Hawd al-Kawthar, literally meaning and named after the "Tank of Abundance" promised to Muhammad.[10]
The charbagh garden was introduced to India by the first Mughal emperor Babur, a design inspired by Persian gardens. The charbagh is meant to reflect the gardens of Paradise (from the Persian paridaeza ��������� a walled garden). In mystic Islamic texts of the Mughal period, paradise is described as an ideal garden, filled with abundance. Water plays a key role in these descriptions: In Paradise, these text say, four rivers source at a central spring or mountain, and separate the garden into north, west, south and east.

Walkways beside reflecting pool
Most Mughal charbaghs are rectangular in form, with a tomb or pavilion in the center of the garden. The Taj Mahal garden is unusual in that the main element, the tomb, is located at the end rather than at the center of the garden. But the existence of the newly discovered Mahtab Bagh or "Moonlight Garden" on the other side of the Yamuna provides a different interpretation ��������� that the Yamuna itself was incorporated into the garden's design, and was meant to be seen as one of the rivers of Paradise.
The layout of the garden, and its architectural features such as its fountains, brick and marble walkways, and geometric brick-lined flowerbeds are similar to Shalimar's, and suggest that the garden may have been designed by the same engineer, Ali Mardan.
Early accounts of the garden describe its profusion of vegetation, including roses, daffodils, and fruit trees in abundance. As the Mughal Empire declined, the tending of the garden declined as well. When the British took over management of the Taj Mahal, they changed the landscaping to resemble the formal lawns of London.

Outlying buildings

Gateway to the Taj Mahal
The Taj Mahal complex is bounded by a crenellated red sandstone wall on three sides. The river-facing side is unwalled. Outside the wall are several additional mausoleums, including those of many of Shah Jahan's other wives, and a larger tomb for Mumtaz's favorite servant. These structures, composed primarily of red sandstone, are typical of smaller Mughal tombs of the era.
On the inner (garden) side, the wall is fronted by columned arcades, a feature typical of Hindu temples later incorporated into Mughal mosques. The wall is interspersed with domed kiosks (chattris), and small buildings which may have been viewing areas or watch towers, such as the so-called Music House, now used as a museum.
The main gateway (darwaza) is a monumental structure built primarily of marble. The style is reminiscent of that of Mughal architecture of earlier emperors. Its archways mirror the shape of the tomb's archways, and its pishtaq arches incorporate the calligraphy that decorates the tomb. It utilises bas-relief and pietra dura (inlaid) decorations with floral motifs. The vaulted ceilings and walls have elaborate geometric designs, like those found in the other sandstone buildings of the complex.
At the far end of the complex, two grand red sandstone buildings open to the sides of the tomb. Their backs parallel the western and eastern walls.

Taj Mahal mosque or masjid
The two buildings are precise mirror images of each other. The western building is a mosque; its opposite is the jawab (answer) whose primary purpose was architectural balance (and which may have been used as a guesthouse during Mughal times). The distinctions are that the jawab lacks a mihrab, a niche in a mosque's wall facing Mecca, and the floors of the jawab have a geometric design, while the mosque floor was laid out with the outlines of 569 prayer rugs in black marble.
The mosque's basic design is similar to others built by Shah Jahan, particularly to his Masjid-i-Jahan Numa, or Jama Masjid of Delhi ��������� a long hall surmounted by three domes. Mughal mosques of this period divide the sanctuary hall into three areas: a main sanctuary with slightly smaller sanctuaries to either side. At the Taj Mahal, each sanctuary opens onto an enormous vaulting dome.
The outlying buildings were completed in 1643.

The tomb

Base

Simplified diagram of the Taj Mahal floor plan.

Main iwan and side pishtaqs
The focus of the Taj Mahal is the white marble tomb. Like most Mughal tombs, the basic elements are Persian in origin consisting of a symmetrical building with an iwan, an arch-shaped doorway, topped by a large dome. The tomb stands on a square plinth. The base structure is a large, multi-chambered structure. The main chamber houses the cenotaphs of Mumtaz Mahal and Shah Jahan with the actual graves located a level below.
The base is essentially a cube with chamfered edges, roughly 55 meters on each side (see floor plan, right). On the long sides, a massive pishtaq, or vaulted archway, frames the iwan, with a similar arch-shaped balcony above. These main arches extend above the roof of the building by use of an integrated facade. On either side of the main arch, additional pishtaqs are stacked above and below. This motif of stacked pishtaqs is replicated on the chamfered corner areas.
The design is completely symmetrical on all sides of the building. Four minarets, one at each corner of the plinth, facing the chamfered corners, frame the tomb.

Dome

Base, dome, and minaret
The marble dome that surmounts the tomb is its most spectacular feature. Its height is about the same size as the base of the building, about 35 meters. Its height is accentuated because it sits on a cylindrical "drum" about 7 meters high.
Because of its shape, the dome is often called an onion dome (also called an amrud or guava dome). The top of the dome is decorated with a lotus design, which serves to accentuate its height. The dome is topped by a gilded finial, which mixes traditional Persian and Hindu decorative elements.

Finial
The dome shape is emphasised by four smaller domed chattris (kiosks) placed at its corners. The chattri domes replicate the onion shape of main dome. Their columned bases open through the roof of the tomb, and provide light to the interior. The chattris also are topped by gilded finials.
Tall decorative spires (guldastas) extend from the edges of the base walls, and provide visual emphasis of the dome height.
The lotus motif is repeated on both the chattris and guldastas.

Finial
The main dome is crowned by a gilded spire or finial. The finial was made of gold until the early 1800s, and it is now made of bronze. The finial provides a clear example of the integration of traditional Persian and Hindu decorative elements. The finial is topped by a moon, a typical Islamic motif, whose horns point heavenward. Because of its placement on the main spire, the horns of the moon and the finial point combine to create a trident shape ��������� reminiscent of the traditional Hindu symbols of Shiva.[11]

Minarets
At the corners of the plinth stand minarets ��������� four large towers each more than 40 meters tall. The minarets again display the Taj Mahal's penchant for symmetry.
The towers are designed as working minarets, a traditional element of mosques, a place for a muezzin to call the Islamic faithful to prayer. Each minaret is effectively divided into three equal parts by two working balconies that ring the tower. At the top of the tower is a final balcony surmounted by a chattri that mirrors the design of those on the tomb.
The minaret chattris share the same finishing touches: a lotus design topped by a gilded finial. Each of the minarets was constructed slightly out of plumb to the outside of the plinth, so that in the event of collapse (a typical occurrence with many such tall constructions of the period) the material would tend to fall away from the tomb.

Decoration

Exterior decoration

Calligraphy on large pishtaq
Nearly every surface of the entire complex has been decorated. The exterior decorations of the Taj Mahal are among the finest to be found in Mughal architecture of any period. As the surface area changes ��������� a large pishtaq has more area than a smaller ��������� the decorations are refined proportionally.
In line with the Islamic prohibition of the use of anthropomorphic forms, the decorative elements come in basically three categories:
Calligraphy
Abstract geometric elements
Vegetative motifs
The decorative elements were created in three ways:
Paint or stucco applied to the wall surface
Stone inlay
Carvings

Calligraphy

Herringbone
Throughout the complex, passages from the Qur'an are used as decorative elements. The calligraphy is a florid and practically illegible thuluth script, created by the resident Mughal court's Persian calligrapher, Amanat Khan who signed several of the panels. As one enters through the Taj Mahal Gate, the calligraphy reads "O Soul, thou art at rest. Return to the Lord at peace with Him, and He at peace with you."
The calligraphy is made by jasper inlaid in white marble panels. Some of the work is extremely detailed and delicate, especially that found on the marble cenotaphs in the tomb. Higher panels are written slightly larger to reduce the skewing effect when viewed from below.
Recent scholarship suggests that Amanat Khan chose the passages as well. The texts refer to themes of judgment: of doom for nonbelievers, and the promise of Paradise for the faithful. The passages include: Surah 91 (The Sun), Surah 112 (The Purity of Faith), Surah 89 (Daybreak), Surah 93 (Morning Light), Surah 95 (The Fig), Surah 94 (The Solace), Surah 36 (Ya Sin), Surah 81 (The Folding Up), Surah 82 (The Cleaving Asunder), Surah 84 (The Rending Asunder), Surah 98 (The Evidence), Surah 67 (Dominion), Surah 48 (Victory), Surah 77 (Those Sent Forth) and Surah 39 (The Crowds).

Abstract geometric decoration

Incised painting
Abstract forms are used especially in the plinth, minarets, gateway, mosque, and jawab, and, to a lesser extent, on the surfaces of the tomb. The domes and vaults of the sandstone buildings are worked with tracery of incised painting to create elaborate geometric forms. (The incised painting technique is to scratch a channel in the stone, and to then lay a thick paint or stucco plaster across the surface. The paint is then scraped off the surface of the stone, leaving paint in the incision.)
On most joining areas, herringbone inlays define the space between adjoining elements. White inlays are used in the sandstone buildings, dark or black inlays on the white marble of the tomb and minarets. Mortared areas of the marble buildings have been stained or painted dark, creating geometric patterns of considerable complexity.
Floors and walkways throughout use contrasting tiles or blocks in tessellation patterns.

Plant motifs


The lower walls of the tomb are white marble dados that have been sculpted with realistic bas relief depictions of flowers and vines. The marble has been polished to emphasise the exquisite detailing of these carvings.
The dado frames and archway spandrels have been decorated with pietra dura inlays of highly stylised, almost geometric vines, flowers and fruits. The inlay stones are yellow marble, jasper and jade, leveled and polished to the surface of the walls.


Detail of the Jali screen
The interior chamber of the Taj Mahal steps far beyond traditional decorative elements. One may say without exaggeration that this chamber is a work of jewellery. Here the inlay work is not pietra dura, but lapidary. The inlay material is not marble or jade but precious and semiprecious gemstones. Every decorative element of the tomb's exterior has been redefined with jeweler's art.

The inner chamber
The inner chamber of the Taj Mahal contains the cenotaphs of Mumtaz and Shah Jahan. It is a masterpiece of artistic craftsmanship, virtually without precedent or equal.
The inner chamber is an octagon. While the design allows for entry from each face, only the south (garden facing) door is used.
The interior walls are about 25 meters high, topped by a "false" interior dome decorated with a sun motif.
Eight pishtaq arches define the space at ground level. As is typical with the exterior, each lower pishtaq is crowned by a second pishtaq about midway up the wall. The four central upper arches form balconies or viewing areas; each balcony's exterior window has an intricate screen or jali cut from marble.
In addition to the light from the balcony screens, light enters through roof openings covered by the chattris at the corners of the exterior dome.
Each of the chamber walls has been highly decorated with dado bas relief, intricate lapidary inlay and refined calligraphy panels, reflecting in miniature detail the design elements seen throughout the exterior of the complex.

The jali
The octagonal marble screen or jali which borders the cenotaphs is made from eight marble panels. Each panel has been carved through with intricate piercework. The remaining surfaces have been inlaid with semiprecious stones in extremely delicate detail, forming twining vines, fruits and flowers.

The cenotaphs and tombs

The actual tombs of Shah Jahan and Mumtaz Mahal in the crypt of the Taj Mahal
Mumtaz Mahal's cenotaph is placed at the precise center of the inner chamber. On a rectangular marble base about 1.5 meters by 2.5 meters is a smaller marble casket. Both base and casket are elaborately inlaid with precious and semiprecious gems. Calligraphic inscriptions on the casket identify and praise Mumtaz. On the lid of the casket is a raised rectangular lozenge meant to suggest a writing tablet.
Muslim tradition forbids elaborate decoration of graves, so the bodies of Mumtaz and Shah Jahan are laid in a relatively plain crypt beneath the inner chamber of the Taj Mahal. They are buried on a north-south axis, with faces turned right (west toward Mecca).
Shah Jahan's cenotaph is beside Mumtaz's to the western side. It is the only visible asymmetric element in the entire complex (see below). His cenotaph is bigger than his wife's, but reflects the same elements: A larger casket on slightly taller base, again decorated with astonishing precision with lapidary and calligraphy which identifies Shah Jahan. On the lid of this casket is a sculpture of a small pen box. (The pen box and writing tablet were traditional Mughal funerary icons decorating men's and women's caskets respectively.)

Cenotaphs, interior of the Taj Mahal
"O Noble, O Magnificent, O Majestic, O Unique, O Eternal, O Glorious... " These are six of the Ninety Nine Names of God, which are to be found as calligraphic inscriptions on the sides of the actual tomb of Mumtaz Mahal, in the crypt. The tomb of Shah Jahan bears a calligraphic inscription, not taken from the Qur'an, but referring to the resting place of this Mughal Emperor. Part of the inscription reads; "He traveled from this world to the banquet-hall of Eternity on the night of the twenty-sixth of the month of Rajab, in the year 1076 Hijri."




Construction

Ground layout of the Taj Mahal
The Taj Mahal was built on a parcel of land to the south of the walled city of Agra which had belonged to Maharajah Jai Singh: Shah Jahan presented him with a large palace in the centre of Agra in exchange. Construction began with setting the foundations for the tomb. An area of roughly three acres was excavated and filled with dirt to reduce seepage from the river. The entire site was leveled to a fixed height about 50 meters above the riverbank. The Taj Mahal is 55 meters tall. The dome itself measures 18 meters in diameter and 24 meters high.

In the tomb area, wells were then dug to the point that water was encountered. These wells were later filled with stone and rubble, forming the basis for the footings of the tomb. [An additional well was built to same depth nearby to provide a visual method to track water level changes over time.]
Instead of lashed bamboo, the typical scaffolding method, workmen constructed a colossal brick scaffold that mirrored the inner and outer surfaces of the tomb. The scaffold was so enormous that foremen estimated it would take years to dismantle. According to legend, Shah Jahan decreed that anyone could keep bricks taken from the scaffold, and it was dismantled by peasants overnight.
A fifteen-kilometer tamped-earth ramp was built to transport marble and materials to the construction site. According to contemporary accounts teams of twenty or thirty oxen strained to pull the blocks on specially constructed wagons.
To raise the blocks into position required an elaborate post-and-beam pulley system. Teams of mules and oxen provided the lifting power.
The order of construction was

The plinth
The tomb
The four minarets
The mosque and jawab
The gateway
The plinth and tomb took roughly 12 years to complete. The remaining parts of the complex took an additional 10 years. (Since the complex was built in stages, contemporary historical accounts list different "completion dates"; discrepancies between so-called completion dates are probably the result of differing opinions about the definition of "completion". For example, the mausoleum itself was essentially complete by 1643, but work continued on the rest of the complex.)

Water infrastructure
Water for the Taj Mahal was provided through a complex infrastructure. Water was drawn from the river by a series of purs -- an animal-powered rope and bucket mechanism. The water flowed into a large storage tank, where, by thirteen additional purs, it was raised to large distribution tank above the Taj Mahal ground level.
From this distribution tank, water passed into three subsidiary tanks, from which it was piped to the complex. A 0.25 meter earthenware pipe lies about 1.5 meters below the surface, in line with the main walkway; this filled the main pools of the complex. Additional copper pipes supplied the fountains in the north-south canal. Subsidiary channels were dug to irrigate the entire garden.
The fountain pipes were not connected directly to the feed pipes. Instead, a copper pot was provided under each fountain pipe: water filled the pots allowing equal pressure in each fountain.
The purs no longer remain, but the other parts of the infrastructure have survived.

Craftsmen

An Artist's impression of A Bird's View of the Taj Mahal, from the Smithsonian Institute
The Taj Mahal was not designed by a single person. The project demanded talent from many people.
The names of many of the builders who participated in the construction of the Taj Mahal in different capacities have come down through various sources.
The Persian or Turkish architect, Ustad Isa and Isa Muhammad Effendi, trained by the Ottoman architect Koca Mimar Sinan Agha are frequently credited with a key role in the architectural design of the complex, but in fact there is little evidence to support this tradition.
'Puru' from Benarus, Persia (Iran), has been mentioned as a supervising architect in Persian language texts (e.g. see ISBN 964-7483-39-2).
The main dome was designed by Ismail Khan from the Ottoman Empire,[18] considered to be the premier designer of hemispheres and builder of domes of that age.
Qazim Khan, a native of Lahore, cast the solid gold finial that crowned the Turkish master's dome.
Chiranjilal, a lapidary from Delhi, was chosen as the chief sculptor and mosaicist.
Amanat Khan from Persian Shiraz, Iran was the chief calligrapher (this fact is attested on the Taj Mahal gateway itself, where his name has been inscribed at the end of the inscription).
Muhammad Hanif was the supervisor of masons.
Mir Abdul Karim and Mukkarimat Khan of Shiraz, Iran handled finances and the management of daily production.
The creative team included sculptors from Bukhara, calligraphers from Syria and Persia, inlayers from southern India, stonecutters from Baluchistan, a specialist in building turrets, another who carved only marble flowers ��������� thirty-seven men in all formed the creative nucleus. To this core was added a labour force of twenty thousand workers recruited from across northern India.
Particularly during the British Raj, some commentators suggested that the Taj Mahal was the work of European artisans. As early as 1640, a Spanish friar who visited Agra wrote that Geronimo Veroneo, an Italian adventurer in Shah Jahan's court, was primarily responsible for the design. There is no reliable evidence to back up such assertions. E.B. Havell, the principal British scholar of Indian art in the later Raj, dismissed this theory as inconsistent with the methods employed by the designers. His conclusions were further supported by the research of Muhammad Abdullah Chaghtai, who concluded that some of these theories may have been based on the misapprehension that "Ustad Isa", so often credited with the Taj's design, must have been a Christian because he bore the name "Isa" (Jesus). In fact this is a common Muslim name as well. Furthermore there is no source earlier than the 19th century which mentions an "Ustad Isa" in connection with the Taj Mahal . Chaghtai thought it more likely that the chief architect was Ustad Ahmad, the designer of Shahjahanabad, but admitted that this could not be conclusively proved from existing sources.

Materials
The Taj Mahal was constructed using materials from all over India and Asia. Over 1,000 elephants were used to transport building materials during the construction. The translucent white marble was brought from Rajasthan, the jasper from Punjab, jade and crystal from China. The turquoise was from Tibet and the Lapis lazuli from Afghanistan, while the sapphire came from Sri Lanka and the carnelian from Arabia. In all, twenty eight types of precious and semi-precious stones were inlaid into the white marble.

Costs
Estimates of the cost of the construction of the Taj Mahal vary due to the difficulties of estimating construction costs across time. The total cost of the Taj Mahal's construction has been estimated to be about 32 million rupees. [20] However, when considering the labor costs and the time period that it took, and the difference in economic eras, it is, to many, considered priceless.

History
Soon after the Taj Mahal's completion, Shah Jahan was deposed and put under house arrest at nearby Agra Fort by his son Aurangzeb. Legend has it that he spent the remainder of his days gazing through the window at the Taj Mahal. Upon Shah Jahan's death, Aurangzeb buried him in the Taj Mahal next to his wife, the only disruption of the otherwise perfect symmetry in the architecture. By the late 19th century parts of the Taj Mahal had fallen badly into disrepair. During the time of the Indian rebellion of 1857 the Taj Mahal faced defacement by British soldiers and government officials who chiseled out precious stones and lapis lazuli from its walls.

Protective wartime scaffolding
At the end of the 19th century British viceroy Lord Curzon ordered a massive restoration project, completed in 1908. He also commissioned the large lamp in the interior chamber (modelled on one hanging in a Cairo mosque when local craftsmen failed to provide adequate designs). It was during this time the garden was remodelled with the more British looking lawns visible today.
By the 20th century the Taj Mahal was being better taken care of. In 1942 the government erected a scaffolding over it in anticipation of an air attack by the German Luftwaffe and later by the Japanese Air Force (see photo). During the India-Pakistan wars of 1965 and 1971 scaffoldings were erected by the government to mislead would-be bomber pilots.
Its most recent threats came from environmental pollution on the banks of the Yamuna River including acid rain occurring due to the Mathura oil refinery (something opposed by Supreme Court of India directives).
In 1983 the Taj Mahal was designated a UNESCO World Heritage Site.

Tourism
Since its construction the Taj Mahal has attracted numerous visitors. Indeed the small town to the South of the Taj known as the Taj Ganji or Mumtazabad was originally constructed with purpose built caravanserais, bazaars and markets to serve the needs of visitors and workmen.

Today, the Taj Mahal attracts 2 to 3 million visitors every year of whom 200,000 come from overseas, making it the most popular tourist attraction in India. Most tourists visit during the cooler months of October, November and February. Polluting traffic is not allowed near the complex and tourist must either walk from the carparks or catch an electric bus. The Khawasspuras are currently being restored for use as a new visitors centre.

Lists of recommended travel destinations often feature the Taj Mahal, which also appears in several listings of seven wonders of the modern world -- including the recently announced New Seven Wonders of the World, a controversial poll which claimed to record a 100 million votes.

Myths

Jean-Baptiste Tavernier, one of the first European visitors to the Taj Mahal and source of the Black Taj myth
It is clear from the accounts of its inception and the subsequent court histories, that Shah Jahan intended the Taj Mahal to be acclaimed by the entire world. It can be argued that he was almost entirely successful in this pursuit. Since its construction the building has been the source of an admiration that has transcended cultures and geography to the extent that the personal and emotional responses to the building have consistently eclipsed the scholastic appraisals of the monument. Some of these responses are now so old or compeling that they are often repeated as fact in opposition to the scholastic consensus. Others have attempted to use or promote misinformation about the Taj for political or self-serving advantage.
A longstanding myth holds that Shah Jahan planned a duplicate mausoleum to be built in black marble across the Jumna river.[27] The 'black taj' idea originates in the fanciful writings of Jean-Baptiste Tavernier, a European traveller who visited Agra in 1665. The story suggests that Shah Jahan was overthrown by his son Aurangzeb before the black version could be built. Ruins of blackened marble across the river, in the so-called Moonlight Garden (Mahtab Bagh) seemed to support this legend. However, excavations carried out in the 1990s found only white marble features discoloured completely to black. The garden buildings had collapsed due to repeated flooding. Others speculate that the 'black taj' may refer to the reflection of the Taj in the large pool of the moonlight garden.

A number of stories describe, often in horrific detail, the deaths, dismemberments and mutilations which Shah Jahan inflicted on various architects and craftsmen associated with the tomb. No evidence for these claims exist. More conservative stories say that those involved in construction signed contracts committing to have no part in any similar design. Similar claims are made for many of the world's most famous buildings.
Lord William Bentinck, governor of India in the 1830s, supposedly planned to demolish the Taj Mahal and auction off the marble. There is no contemporary evidence for this story, which may have emerged in the late nineteenth century when Bentinck was being criticised for his penny-pinching Utilitarianism, and when Lord Curzon was emphasising earlier neglect of the monument. Bentinck's biographer John Rosselli says that the story arose from Bentinck's fund-raising sale of discarded marble from Agra Fort.
In recent years, elements within India have become interested in the ideas of P.N. Oak. He claims that the origins of the Taj, together with all the other historic structures in the country currently ascribed to Muslim sultans, pre-date the Muslim occupation of India and have a Hindu origin.[31] In 2000 India's Supreme Court dismissed Oak's petition to declare that a Hindu king built the Taj Mahal and reprimanded him for bringing the action.
A more poetic story relates that once a year, during the rainy season, a single drop of water falls on the cenotaph. The story recalls Rabindranath Tagore's description of the tomb as "one tear-drop...upon the cheek of time". Another myth suggests that beating the silhouette of the finial (set into the paving of the riverside forecourt) will cause water to come forth. To this day officials find broken bangles surrounding the silhouette.

SEVEN WONDERS OF THE WORLD

The Seven Wonders

Great Pyramid of Giza
2650-2500 BC
Egyptians
Built as the tomb of Fourth dynasty Egyptian pharaoh Khufu.
Still standing


Hanging Gardens of Babylon
600 BC
Babylonians
Diodorus described multi-levelled gardens reaching 22 metres (75 feet) high, complete with machinery for circulating water. Large trees grew on the roof.
After 1st century BC
Earthquake


Temple of Artemis at Ephesus
550 BC
Lydians, Persians, Greeks
Dedicated to the Greek goddess Artemis, it took 120 years to build. Herostratus burned it down in an attempt to achieve lasting fame.
356 BC
Arson


Statue of Zeus at Olympia
435 BC
Greeks
Occupied the whole width of the aisle of the temple that was built to house it, and was 40 feet (12 meters) tall.
5th-6th centuries AD
Unknown, presumed destroyed by fire or earthquake.


Mausoleum of Maussollos at Halicarnassus
351 BC
Persians, Greeks
Stood approximately 45 meters (135 feet) tall with each of the four sides adorned with sculptural reliefs. Origin of the word mausoleum.
by AD 1494
Damaged by an earthquake and eventually disassembled by European Crusaders


Colossus of Rhodes
292-280 BC
Hellenistic Greece
A giant statue of the Greek god Helios roughly 3/4ths as large as today's Statue of Liberty in New York.
224 BC
Earthquake


Lighthouse of Alexandria
3rd century BC
Hellenistic Egypt
Between 115 and 135 meters (383 - 440 ft) tall it was among the tallest man-made structures on Earth for many centuries.
AD 1303-1480
Earthquake
The Greek category was not "Wonders" but "theamata", which translates closer to "must-sees". The list that we know today was compiled in the Middle Ages—by which time many of the sites were no longer in existence. Since the list came mostly from ancient Greek writings, only sites that would have been known and visited by the ancient Greeks were included. Even as early as 1600 BC, tourist graffiti was scrawled on monuments in the Egyptian Valley of the Kings.
Antipater's original list replaced the Lighthouse of Alexandria with the Ishtar Gate. It was not until the 6th century AD that the list above was used. Of these wonders, the only one that has survived to the present day is the Great Pyramid of Giza. The existence of the Hanging Gardens has not been definitively proven. Records show that the other five wonders were destroyed by natural disasters. The Temple of Artemis and the Statue of Zeus were destroyed by fire, while the Lighthouse of Alexandria, Colossus, and Mausoleum of Maussollos were destroyed by earthquakes. There are sculptures from the Mausoleum of Maussollos and the Temple of Artemis in the British Museum in London.


Seven Wonders lists about the Middle Ages
Seven Wonders lists about the Middle Ages are existing historical lists for which there is no unanimity of opinion about origin, content or name.[1] These historical lists go by names such as "Wonders of the Middle Ages" (implying no specific limitation to seven), "Seven Wonders of the Middle Ages", "Medieval Mind" and "Architectural Wonders of the Middle Ages". The lists are more properly seen as a continuing type or genre in the Seven Wonders tradition than a specific list.
It is unlikely the lists originated in the Middle Ages. Brewer's calls them "later list[s]"[2] suggesting the lists were created after the Middle Ages. This is supported because the word medieval was not even invented until the Enlightenment-era, and the concept of a "Middle Age" did not become popular until the 16th century. Further, the Romanticism movement glorified all things related to the Middle Ages, or more specifically anything pre-Enlightenment era, suggesting such lists would have found a popular audience in the late 18th and early 19th centuries. Some items found on some of the lists are not technically from the Middle Ages (according to modern historical standards), but we know the lists were not created by modern medieval historians, so such standards did not apply.
Typically representative of the seven:

1)Stonehenge

2)Colosseum

3)Catacombs of Kom el Shoqafa

4)Great Wall of China

5)Porcelain Tower of Nanjing

6)Hagia Sophia

7)Leaning Tower of Pisa

Other sites that have been mentioned include:

Taj Mahal

Cairo Citadel

Ely Cathedral

Cluny Abbey

Modern lists
In the tradition of the Seven Wonders of the Ancient World, many other lists of wonders have been proposed, including both human feats of engineering and wonders of Nature. However, these lists are rather informal, and there is no consensus on any particular list.

The Bermuda Triangle mystery

The Bermuda Triangle



Introduction
The Bermuda Triangle, also known as the Devil's Triangle, is a region of the Atlantic Ocean in which a number of aircraft and surface vessels have disappeared in what are said to be circumstances that fall beyond the boundaries of human error or acts of nature. Some of these disappearances have been attributed to the paranormal, a suspension of the laws of physics, or activity by extraterrestrial beings by popular culture.[1] Although a substantial documentation exists showing numerous incidents to have been inaccurately reported or embellished by later authors, several others remain unexplained.






The Triangle area

The area of the Triangle varies by author.
The boundaries of the Triangle vary with the author; some stating its shape is akin to a trapezium covering the Straits of Florida, the Bahamas, and the entire Caribbean island area east to the Azores; others add to it the Gulf of Mexico. The more familiar, triangular boundary in most written works has as its points Miami, Florida; San Juan, Puerto Rico; and the mid-Atlantic island of Bermuda, with most of the accidents concentrated along the southern boundary around the Bahamas and the Florida Straits.
The area is one of the most heavily-sailed shipping lanes in the world, with ships crossing through it daily for ports in the Americas and Europe, as well as the Caribbean Islands. Cruise ships are also plentiful, and pleasure craft regularly go back and forth between Florida and the islands. It is also a heavily flown route for commercial and private aircraft heading towards Florida, the Caribbean, and South America from points north.
The Gulf Stream ocean current flows through the Triangle after leaving the Gulf of Mexico; its current of five to six knots may have played a part in a number of disappearances. Sudden storms can and do appear, and in the summer to late fall the occasional hurricane strikes the area. The combination of heavy maritime traffic and tempestuous weather makes it inevitable that vessels could founder in storms and be lost without a trace ��������� especially before improved telecommunications, radar, and satellite technology arrived late in the 20th century.[2]

History of the Triangle story
According to the Triangle authors, Christopher Columbus was the first person to document something strange in the Triangle, reporting that he and his crew observed "strange dancing lights on the horizon", flames in the sky, and at another point he wrote in his log about bizarre compass bearings in the area. From his log book, dated October 11, 1492 he wrote:
"The land was first seen by a sailor (Rodrigo de Triana), although the Admiral at ten o'clock that evening standing on the quarter-deck saw a light, but so small a body that he could not affirm it to be land; calling to Pero Guti������rrez, groom of the King's wardrobe, he told him he saw a light, and bid him look that way, which he did and saw it; he did the same to Rodrigo S������nchez of Segovia, whom the King and Queen had sent with the squadron as comptroller, but he was unable to see it from his situation. The Admiral again perceived it once or twice, appearing like the light of a wax candle moving up and down, which some thought an indication of land. But the Admiral held it for certain that land was near..."
Modern scholars checking the original log books have surmised that the lights he saw were the cooking fires of Taino natives in their canoes or on the beach; the compass problems were the result of a false reading based on the movement of a star. The flames in the sky were undoubtedly falling meteors, which are easily seen while at sea.[3]
The first article of any kind in which the legend of the Triangle began appeared in newspapers by E.V.W. Jones on September 16, 1950, through the Associated Press. Two years later, Fate magazine published "Sea Mystery At Our Back Door", a short article by George X. Sand in the October 1952 issue covering the loss of several planes and ships, including the loss of Flight 19, a group of five U.S. Navy TBM Avenger bombers on a training mission. Sand's article was the first to lay out the now-familiar triangular area where the losses took place. Flight 19 alone would be covered in the April 1962 issue of American Legion Magazine. The article was titled "The Lost Patrol", by Allen W. Eckert, and in his story it was claimed that the flight leader had been heard saying "We are entering white water, nothing seems right. We don't know where we are, the water is green, no white." It was also claimed that officials at the Navy board of inquiry stated that the planes "flew off to Mars." "The Lost Patrol" was the first to connect the supernatural to Flight 19, but it would take another author, Vincent Gaddis, writing in the February 1964 Argosy Magazine to take Flight 19 together with other mysterious disappearances and place it under the umbrella of a new catchy name: "The Deadly Bermuda Triangle";[4] he would build on that article with a more detailed book, Invisible Horizons, the next year. Others would follow with their own works: John Wallace Spencer (Limbo of the Lost, 1969); Charles Berlitz (The Bermuda Triangle, 1974); Richard Winer (The Devil's Triangle, 1974), and many others, all keeping to some of the same supernatural elements outlined by Eckert.[5]

Kusche's explanation
Lawrence David Kusche, a research librarian from Arizona State University and author of The Bermuda Triangle Mystery: Solved (1975) has challenged this trend. Kusche's research revealed a number of inaccuracies and inconsistencies between Berlitz's accounts and statements from eyewitnesses, participants, and others involved in the initial incidents. He noted cases where pertinent information went unreported, such as the disappearance of round-the-world yachtsman Donald Crowhurst, which Berlitz had presented as a mystery, despite clear evidence to the contrary. Another example was the ore-carrier Berlitz recounted as lost without trace three days out of an Atlantic port when it had been lost three days out of a port with the same name in the Pacific Ocean. Kusche also argued that a large percentage of the incidents which have sparked the Triangle's mysterious influence actually occurred well outside it. Often his research was surprisingly simple: he would go over period newspapers and see items like weather reports that were never mentioned in the stories.
Kusche came to several conclusions:
The number of ships and aircraft reported missing in the area was not significantly greater, proportionally speaking, than in any other part of the ocean.
In an area frequented by tropical storms, the number of disappearances that did occur were, for the most part, neither disproportionate, unlikely, nor mysterious; furthermore, Berlitz and other writers would often fail to mention such storms.
The numbers themselves had been exaggerated by sloppy research. A boat listed as missing would be reported, but its eventual (if belated) return to port may not be reported.
Some disappearances had in fact, never happened. One plane crash was said to have taken place in 1937 off Daytona Beach, Florida, in front of hundreds of witnesses; a check of the local papers revealed nothing.
Kusche concluded that:
"The Legend of the Bermuda Triangle is a manufactured mystery... perpetuated by writers who either purposely or unknowingly made use of misconceptions, faulty reasoning, and sensationalism." (Epilogue, p. 277)
In recent years, however, several authors, most notably Gian J. Quasar, have raised several questions as to the veracity of Kusche's findings, including, but not limited to, why Kusche so often brought up as evidence for his claims cases that were already well-known before the writing of his work as not being Triangle incidents; his misidentification and mislocation of several ship and aircraft incidents that are well-documented, but then using that inability to properly identify the craft as "proof" that they never existed; and in other examples openly claiming possibilities for foul weather for certain disappearances where it can be verified that none existed.[6]

Other responses
The marine insurer Lloyd's of London has determined the Triangle to be no more dangerous than any other area of ocean, and does not charge unusual rates for passage through the region. United States Coast Guard records confirm their conclusion. In fact, the number of supposed disappearances is relatively insignificant considering the number of ships and aircraft which pass through on a regular basis.
The Coast Guard is also officially skeptical of the Triangle, noting that they collect and publish, through their inquiries, much documentation[7] contradicting many of the incidents written about by the Triangle authors. In one such incident involving the 1972 explosion and sinking of the tanker V.A. Fogg in the Gulf of Mexico, the Coast Guard photographed the wreck and recovered several bodies[8] despite one Triangle author stating that all the bodies had vanished, with the exception of the captain, who was found sitting in his cabin at his desk, clutching a coffee cup (Limbo of the Lost by John Wallace Spencer, 1973 edition).
Skeptical researchers, such as Ernest Taves and Barry Singer, have noted how mysteries and the paranormal are very popular and profitable. This has led to the production of vast amounts of material on topics such as the Bermuda Triangle. They were able to show that some of the pro-paranormal material is often misleading or not accurate, but its producers continue to market it. They have therefore claimed that the market is biased in favour of books, TV specials, etc. which support the Triangle mystery and against well-researched material if it espouses a skeptical viewpoint.[9]

Natural explanations

Methane hydrates
Main article: Methane clathrate

Worldwide distribution of confirmed or inferred offshore gas hydrate-bearing sediments, 1996.Source: USGS

False-color image of the Gulf Stream flowing north through the western Atlantic Ocean. (NASA)

USS Memphis (CA-10) in 1916, hard aground in the Dominican Republic after an encounter with a freak wave. (U.S. Navy)
An explanation for some of the disappearances has focused on the presence of vast fields of methane hydrates on the continental shelves. Laboratory experiments carried out in Australia have proven that bubbles can, indeed, sink a scale model ship by decreasing the density of the water[10]; any wreckage consequently rising to the surface would be rapidly dispersed by the Gulf Stream. It has been hypothesized that periodic methane eruptions may produce regions of frothy water that are no longer capable of providing adequate buoyancy for ships. If this were the case, such an area forming around a ship could cause it to sink very rapidly and without warning.
Airplanes may also be susceptible to any freak methane releases. Methane also has the ability to cause a piston engine to stall when released into the atmosphere, even at an atmospheric concentration as low as 1%[citation needed]. But although methane is lighter than air, the altimeter of an airplane traveling through it would not, contrary to popular belief, read that the airplane is higher than it really is, causing navigational problems. (Altimeters measure pressure, not the density of air.)
A white paper was published in 1981 by the United States Geological Survey about the appearance of hydrates in the Blake Ridge area, off the southeastern United States coast.[11] However, according to a USGS web page, no large releases of gas hydrates are believed to have occurred in the Bermuda Triangle for the past 15,000 years.[12]

Compass variations
Compass problems are one of the cited phrases in many Triangle incidents. The North Magnetic Pole is not the North Pole; rather it is the north end of the earth's magnetic field. The North Magnetic Pole does wander, but so slowly that the wandering would not be noticeable on time scale of a sea or air voyage. In general, the compass does not point exactly the direction of the North Magnetic Pole, but rather the compass needle aligns itself to the local geomagnetic field, which can vary in a complex manner over the Earth's surface, as well as over time.
The angular difference between magnetic north and true north (defined in reference to the Geographic North Pole), at any particular location on the Earth's surface, is called the magnetic declination. Most map coordinate systems are based on true north, and magnetic declination is often shown on map legends so that the direction of true north can be determined from north as indicated by a compass. The line of zero declination in the U.S. runs from the North Magnetic Pole through Lake Superior and across the western panhandle of Florida. Along this line, true north is the same as magnetic north. West of the line of zero declination, a compass will give a reading that is east of true north. Conversely, east of the line of zero declination, a compass reading will be west of true north. Since the North Magnetic Pole has been slowly migrating toward the northwest, some twenty or more years ago the line of zero declination went through the Triangle, giving sailors and airmen a compass reading of true north instead of magnetic north.[13] A sailor not knowing the difference could inadvertently sail off course[citation needed].
Some have theorized the possibility of unusual local magnetic anomalies in the area, however these have not been shown to exist.

Hurricanes
Hurricanes are extremely powerful storms which are spawned in the Atlantic near the equator, and have historically been responsible for thousands of lives lost and billions of dollars in damage. The sinking of Francisco de Bobadilla's Spanish fleet in 1502 was the first recorded instance of a destructive hurricane. In 1988, Hurricane Gilbert, one of the most powerful hurricanes in history, set back Jamaica's economy by three years. These storms have in the past caused a number of incidents related to the Triangle.

Gulf Stream
The Gulf Stream is an ocean current that originates in the Gulf of Mexico, and then through the Straits of Florida, into the North Atlantic. In essence, it is a river within an ocean, and like a river, it can and does carry floating objects. A small plane making a water landing or a boat having engine trouble will be carried away from its reported position by the current, as happened to the cabin cruiser Witchcraft on December 22, 1967, when it reported engine trouble near the Miami buoy marker one mile from shore, but was not there when a Coast Guard cutter arrived.

Freak waves
Main article: Rogue wave (oceanography)
Extremely large waves can appear seemingly at random, even in calm seas. One such rogue wave wrecked the cruiser USS Memphis (CA-10) off the Dominican Republic on August 29, 1916, killing 40 men. There is, however, no particular reason to believe rogue waves are more common in the Bermuda region, and this could not explain loss of airplanes.

Acts of Man

Human error
One of the most cited explanations in official inquiries as to the loss of any aircraft or vessel is human error. Whether deliberate or accidental, humans have been known to make mistakes resulting in catastrophe, and losses within the Bermuda Triangle are no exception. For example, the Coast Guard cited a lack of proper training for the cleaning of volatile benzene residue as a reason for the loss of the tanker V.A. Fogg in 1972. Human stubbornness may have caused businessman Harvey Conover to lose his sailing yacht, the Revonoc, as he sailed into the teeth of a storm south of Florida on January 1, 1958. It should be noted that many losses remain inconclusive due to the lack of wreckage which could be studied, a fact cited on many official reports.

Deliberate acts of destruction
This can fall into two categories: acts of war, and acts of piracy. Records in enemy files have been checked for numerous losses; while many sinkings have been attributed to surface raiders or submarines during the World Wars and documented in the various command log books, many others which have been suspected as falling in that category have not been proven; it is suspected that the loss of USS Cyclops in 1918, as well as her sister ships Proteus and Nereus in World War II, were attributed to submarines, but no such link has been found in the German records.
Piracy, as defined by the taking of a ship or small boat on the high seas, is an act which continues to this day. While piracy for cargo theft is more common in the western Pacific and Indian oceans, drug smugglers do steal pleasure boats for smuggling operations, and may have been involved in crew and yacht disappearances in the Caribbean. Historically famous pirates of the Caribbean (where piracy was common from about 1560 to the 1760s) include Edward Teach (Blackbeard) and Jean Lafitte. Lafitte is sometimes said to be a Triangle victim himself.
Another form of pirate operated on dry land. Bankers or wreckers would shine a light on shore to misdirect ships, which would then founder on the shore; the wreckers would then help themselves to the cargo. It is possible that these wreckers also killed any crew who protested. Nags Head, North Carolina, was named for the wreckers' practice of hanging a lantern on the head of a hobbled horse as it walked along the beach.

Popular theories
The following theories have been used in the past by the Triangle writers to explain a myriad of incidents:

Atlantis
An explanation for some of the disappearances pinned the blame on left-over technology from Atlantis. Reputed psychic Edgar Cayce claimed that evidence for Atlantis would be discovered just off Bimini in 1968. New Agers view the Bimini Road as either a road, wall, or pier meant to service ships bound for Atlantis from Central and South America, or a breakwater built to protect fishing boats. The wall may also have a natural origin.[14][15][16]

UFOs
Some theorists claim extraterrestrials are the reason of disappearances by abducting ships and aircraft.[citation needed] This was given a boost when topics like ESP, telekinesis, clairvoyance, and the like flowered in the middle-to-late 1960s, and was used as storylines for popular films like Close Encounters of the Third Kind and The UFO Incident.

Time warp
The proponents of this theory state that the many ships and planes entered a time warp to a different time or dimension on the other side, meaning that their crews could still be alive there, living new lives in another time period of the past or the future ��������� or even possibly in a parallel universe.[citation needed] Usually, the ship or aircraft in the story enters this dimension by way of a cloud. This has been a popular subject in science fiction.

Anomalous phenomena
Charles Berlitz, grandson of a distinguished linguist and author of various additional books on anomalous phenomena, has kept in line with this extraordinary explanation, and attributed the losses in the Triangle to anomalous or unexplained forces.

Famous incidents

Flight 19

US Navy TBF Grumman Avenger flight, similar to Flight 19. This photo had been used by various Triangle authors to illustrate Flight 19 itself. (US Navy)
Flight 19 was a training flight of TBM Avenger bombers that went missing on December 5, 1945 while over the Atlantic. The impression is given that the flight encountered unusual phenomena and anomalous compass readings, and that the flight took place on a calm day under the leadership of an experienced pilot, Lt. Charles Carroll Taylor. Adding to the intrigue is that the Navy's report of the accident was ascribed to "causes or reasons unknown." It is believed that Charles Taylor's mother wanted to save Charles's reputation, so she made them write "reasons unknown" when actually Charles was 50 km NW from where he thought he was. [17]
While the basic facts of this version of the story are essentially accurate, some important details are missing. The weather was becoming stormy by the end of the incident; only Lt. Taylor had any significant flying time, but he was not familiar with the south Florida area and had a history of getting lost in flight, having done so three times during World War II, and being forced to ditch his planes twice into the water; and naval reports and written recordings of the conversations between Lt. Taylor and the other pilots of Flight 19 do not indicate magnetic problems.[17]

Mary Celeste
The mysterious abandonment in 1872 of the Mary Celeste is often but inaccurately connected to the Triangle, the ship having been abandoned off the coast of Portugal. Many theories have been put forth over the years to explain the abandonment, including alcohol fumes from the cargo and insurance fraud. The event is possibly confused with the sinking of a ship with a similar name, the Mari Celeste, off the coast of Bermuda on September 13, 1864, which is mentioned in the book Bermuda Shipwrecks by Dan Berg.

Ellen Austin
The Ellen Austin supposedly came across an abandoned derelict, placed on board a prize crew, and attempted to sail with it to New York in 1881. According to the stories, the derelict disappeared; others elaborating further that the derelict reappeared minus the prize crew, then disappeared again with a second prize crew on board. A check of Lloyd's of London records proved the existence of the Meta, built in 1854; in 1880 the Meta was renamed Ellen Austin. There are no casualty listings for this vessel, or any vessel at that time, that would suggest a large number of missing men placed on board a derelict which later disappeared.[18]

Teignmouth Electron


Teignmouth Electron, as she was on July 10, 1969.
Donald Crowhurst was a sailor competing in the Sunday Times Golden Globe Race of 1968-69. His boat, a trimaran named Teignmouth Electron, left England on October 31, 1968; it was found abandoned south of the Azores on July 10, 1969. Most writers on the Triangle would stop there (only Winer elaborated on the facts), leaving out the evidence recovered from Crowhurst's logbooks which showed deception as to his position in the race and increasing irrationality. His last entry was June 29; it was assumed he jumped over the side a short time later.

USS Cyclops
The incident resulting in the single largest loss of life in the history of the U.S. Navy not related to combat occurred when USS Cyclops under the command of Lieutenant Commander G. W. Worley, went missing without a trace with a crew of 306 sometime after March 4, 1918, after departing the island of Barbados. Although there is no strong evidence for any theory, storms, capsizing and enemy activity have all been suggested as explanations.[19][20]

Theodosia Burr Alston

Theodosia Burr Alston was the daughter of former United States Vice-President Aaron Burr. Her disappearance has been cited at least once in relation to the Triangle, in The Bermuda Triangle by Adi-Kent Thomas Jeffrey (1975). She was a passenger on board the Patriot, which sailed from Charleston, South Carolina to New York City on December 30, 1812, and was never heard from again. Both Piracy and the War of 1812 have been posited as explanations, as well as a theory placing her in Texas, well outside the Triangle.

The Spray
Captain Joshua Slocum's skill as a mariner was beyond argument; he was the first man to sail around the world solo. In 1909, in his boat Spray he set out in a course to take him through the Caribbean to Venezuela. He disappeared; there was no evidence he was even in the Triangle when Spray was lost. It was assumed he was run down by a steamer or struck by a whale, the Spray being too sound a craft and Slocum too experienced a mariner for any other cause to be considered likely, and in 1924 he was declared legally dead. While a mystery, there is no known evidence for, or against, paranormal activity.

Carroll A. Deering

Schooner Carroll A. Deering, as seen from the Cape Lookout lightship on January 29, 1921, two days before she was found deserted in North Carolina. (US Coast Guard)
A five-masted schooner built in 1919, the Carroll A. Deering was found hard aground and abandoned at Diamond Shoals, near Cape Hatteras, North Carolina on January 31, 1921. Rumors and more at the time indicated the Deering was a victim of piracy, possibly connected with the illegal rum-running trade during Prohibition, and possibly involving another ship, S.S. Hewitt, which disappeared at roughly the same time. Just hours later, an unknown steamer sailed near the lightship along the track of the Deering, and ignored all signals from the lightship. It is speculated that the Hewitt may have been this mystery ship, and possibly involved in the Deering crew's disappearance.[21]

Douglas DC-3
On December 28, 1948, a Douglas DC-3 aircraft, number NC16002, disappeared while on a flight from San Juan, Puerto Rico, to Miami. No trace of the aircraft or the 32 people onboard was ever found. From the documentation compiled by the Civil Aeronautics Board investigation, a possible key to the plane's disappearance was found, but barely touched upon by the Triangle writers: the plane's batteries were inspected and found to be low on charge, but ordered back into the plane without a recharge by the pilot while in San Juan. Whether or not this led to complete electrical failure will never be known. However, since piston-engined aircraft rely upon magnetos to provide electrical power and spark to their cylinders rather than batteries, this theory is unlikely.[22]

Star Tiger and Star Ariel
These Avro Tudor IV passenger aircraft disappeared without trace en route to Bermuda and Jamaica, respectively. Star Tiger was lost on January 30, 1948 on a flight from the Azores to Bermuda. Star Ariel was lost on January 17, 1949, on a flight from Bermuda to Kingston, Jamaica. Neither aircraft gave out a distress call; in fact, their last messages were routine. A possible clue to their disappearance was found in the mountains of the Andes in 1998: the Star Dust, an Avro Lancastrian airliner run by the same airline, had disappeared on a flight from Buenos Aires, Argentina, to Santiago, Chile on August 2, 1947. The plane's remains were discovered at the melt end of a glacier, suggesting that either the crew did not pay attention to their instruments, suffered an instrument failure or did not allow for headwind effects from the jetstream on the way to Santiago when it hit a mountain peak, with the resulting avalanche burying the remains and incorporating it into the glacier. However, this is mere speculation with regard to the Star Tiger and Star Ariel, pending the recovery of the aircraft. It should be noted that the Star Tiger was flying at a height of just 2,000 feet, which would have meant that if the plane was forced down, there would have been no time to send out a distress message. It is also far too low for the jetstream or any other high-altitude wind to have any effect.[23]

KC-135 Stratotankers
On August 28, 1963 a pair of U.S. Air Force KC-135 Stratotanker aircraft collided and crashed into the Atlantic. The Triangle version (Winer, Berlitz, Gaddis) of this story specifies that they did collide and crash, but there were two distinct crash sites, separated by over 160 miles of water. However, Kusche's research showed that the unclassified version of the Air Force investigation report stated that the debris field defining the second "crash site" was examined by a search and rescue ship, and found to be a mass of seaweed and driftwood tangled in an old buoy.

SS Marine Sulphur Queen


Shattered trailboard from Marine Sulphur Queen, recovered near the Florida Keys, February 1963. (U.S. Coast Guard)
SS Marine Sulphur Queen, a T2 tanker converted from oil to sulfur carrier, was last heard from on February 4, 1963 with a crew of 39 near the Florida Keys. Marine Sulphur Queen was the first vessel mentioned in Vincent Gaddis' 1964 Argosy Magazine article, but he left it as having "sailed into the unknown", despite the Coast Guard report which not only documented the ship's badly-maintained history, but declared that it was an unseaworthy vessel that should never have gone to sea.[24][25]

USS Scorpion
The nuclear-powered submarine USS Scorpion was lost south of the Azores while on a transit home to Norfolk, Virginia after a six-month deployment on May 26, 1968. The Scorpion had been picked up by numerous writers (Berlitz, Spencer, Thomas-Jeffery) as a Triangle victim over the years, despite the fact that it did not sink in the Bermuda Triangle; the U.S. Navy believes that a malfunctioning torpedo contributed to her loss, an event actually recorded on the SOSUS microphone network.

Raifuku Maru
One of the more famous incidents in the Triangle took place in 1921 (some say a few years later), when the Japanese vessel Raifuku Maru (sometimes misidentified as Raikuke Maru) went down with all hands after sending a distress signal which allegedly said "Danger like dagger now. Come quick!", or "It's like a dagger, come quick!" This has led writers to speculate on what the "dagger" was, with a waterspout being the likely candidate (Winer). In reality the ship was nowhere near the Triangle, nor was the word "dagger" a part of the ship's distress call ("Now very danger. Come quick."); having left Boston for Hamburg, Germany, on April 21, 1925, she got caught in a severe storm and sank in the North Atlantic with all hands while another ship, RMS Homeric, attempted an unsuccessful rescue.

Connemara IV
A pleasure yacht found adrift in the Atlantic south of Bermuda on September 26, 1955; it is usually stated in the stories (Berlitz, Winer) that the crew vanished while the yacht survived being at sea during three hurricanes. The 1955 Atlantic hurricane season lists only one storm coming near Bermuda towards the end of August, hurricane "Edith"; of the others, "Flora" was too far to the east, and "Katie" arrived after the yacht was recovered. It was confirmed that the Connemara IV was empty and in port when "Edith" may have caused the yacht to slip her moorings and drift out to sea.